Tamilnadu
Board 11th History Notes
(English)
Chapter
12. South Indian Kingdom – II Chalukyas and Rashtrakutas
Feature :
Notes Class
: 11th
Language :
English By
Priyanshu Thakur
Content-Learning
Objectives
Students
will acquire knowledge about
·
The achievements of Chalukya ruler
Pulakesin II.
·
Administration, social life and art
and architecture under the Chalukyas.
·
Political history of the
Rashtrakutas.
·
Administration and society under the
Rashtrakutas.
·
Art and architecture of the
Rashtrakutas.
Ø Introduction:
Besides the Pallavas, the Western
Chalukyas and the Rashtrakutas in the Deccan constitute important political
forces. Both these kingdoms had their rivals in the far south, namely the
Pallavas and later the Cholas. Their period has also been important in the
history of India for their cultural contributions.
Chalukyas (543 – 755 A.D.)
The Western Chalukyas ruled over
an extensive area in the Deccan for about two centuries after which the
Rashtrakutas became powerful. The family of Western Chalukyas had its offshoots
like the Eastern Chalukyas of Vengi and the Chalukyas of Kalyani. Pulakesin I
was the founder of the Chalukya dynasty. He established a small kingdom with
Vatapi or Badami as its capital.
Ø The achievements of Chalukya ruler Pulakesin - II :
Pulakesin II (608-642 A.D.)
The most important ruler of this
dynasty was Pulakesin II. The Aihole inscription issued by him gives the
details of his reign. He fought with the Kadambas of Banavasi and the Gangas of
Mysore and established his suzerainty. Durvinita, the Ganga ruler accepted his
overlordship and even gave his daughter in marriage to Pulakesin II. Another
notable achievement of Pulakesin II was the defeat of Harshavardhana on the
banks of the river Narmada. He put a check to the ambition of Harsha to conquer
the south. In his first expedition against the Pallavas, Pulakesin II emerged
victorious. But he suffered a humiliating defeat at the hands of
Narasimhavarman I near Kanchi. Subsequently, the Chalukya capital Vatapi was
captured and destroyed by the Pallavas. The most important event in the reign
of Pulakesin II was the visit of Hiuen Tsang to his kingdom.
The successor of Pulakesin II was
Vikramaditya. He once again consolidated the Chalukya kingdom and plundered the
Pallava capital, Kanchi. Thus he had avenged his father’s defeat and death at
the hands of the Pallavas. Kirtivarman II was the last of the rulers of the
Chalukyas. He was defeated by Dantidurga, the founder of the Rashtrakuta
dynasty.
Ø Administration and Social Life under the Chalukyas
The Chalukya administration was
highly centralized unlike that of the Pallavas and the Cholas. Village autonomy
was absent under the Chalukyas. The Chalukyas had a great maritime power.
Pulakesin II had 100 ships in his navy. They also had a small standing army.
The Badami Chalukyas were Brahmanical Hindus but they gave respect to other
religions. Importance was given to Vedic rites and rituals. The founder of the
dynasty Pulakesin I performed the asvamedha sacrifice. A number of temples in
honour of Vishnu, Siva and other gods were also built during this period. Hiuen
Tsang mentioned about the decline of Buddhism in western Deccan. But Jainism
was steadily on the path of progress in this region. Ravikirti, the court poet
of Pulakesin II who composed the Aihole inscription was a Jain.
Art and Architecture
The Chalukyas were great patrons of art.
They developed the vesara style in the building of structural temples. However,
the vesara style reached its culmination only under the Rashtrakutas and the
Hoysalas. The structural temples of the Chalukyas exist at Aihole, Badami and
Pattadakal. Cave temple architecture was also famous under the Chalukyas. Their
cave temples are found in Ajanta, Ellora and Nasik. The best specimens of
Chalukya paintings can be seen in the Badami cave temple and in the Ajanta
caves. The reception given to a Persian embassy by Pulakesin II is depicted in
a painting at Ajantha.
The Chalukya temples may be divided into
two stages. The first stage is represented by the temples at Aihole and Badami.
Among the seventy temples found at Aihole, four are important.
1. Ladh Khan temple is a low,
flat-roofed structure consisting of a pillared hall.
2. Durga temple resembles a Buddha
Chaitya.
3. Huchimalligudi temple.
4. The Jain temple at Meguti.
Among the temples at Badami, the Muktheeswara
temple and the Melagutti Sivalaya are notable for their architectural beauty. A
group of four rock-cut temples at Badami are marked by high workmanship. The
walls and pillared halls are adorned by beautiful images of gods and human
beings.
The
second stage is represented by the temples at Pattadakal. There are ten temples
here, four in the northern style and the remaining six in the Dravidian style.
The Papanatha temple is the most notable in the northern style. The
Sangamesvara temple and the Virupaksha temple are famous for their Dravidian
style. The Virupaksha temple is built on the model of the Kailasanatha temple
at Kanchipuram. It was built by one of the queens of Vikramaditya II. Sculptors
brought from Kanchi were employed in its construction.
Ø Political History of Rashtrakutas:
Rashtrakutas (755 – 975 A.D.)
The Rashtrakutas were of Kannada origin
and Kannada language was their mother tongue. Dantidurga was the founder of the
Rashtrakuta dynasty. He defeated the Gurjaras and captured Malwa from them.
Then he annexed the Chalukya kingdom by defeating Kirtivarman II. Thus, the
Rashtrakutas became a paramount power in the Deccan.
His successor Krishna I was also a
great conqueror. He defeated the Gangas and the eastern Chalukyas of Vengi. He
built the magnificent rock-cut monolithic Kailasa temple at Ellora. The next
important king of this dynasty was Govinda III. He achieved victories over
north Indian kingdoms.
His successor Amoghavarsha I (815-
880 A.D.) ruled for a long period of 64 years. He had lost control over Malwa
and Gangavadi. Yet, his reign was popular for the cultural development. He was
a follower of Jainism. Jinasena was his chief preceptor. He was also a patron
of letters and he himself wrote the famous Kannada work, Kavirajamarga. He had
also built the Rashtrakuta capital, the city of Malkhed or Manyakheda.
Among the successors of
Amoghavarsha I, Krishna III (936- 968 A.D.) was famous for his expeditions. He
marched against the Cholas and defeated them at Takkolam. He marched further
south and captured Tanjore. He went as far as Rameswaram and occupied it for
sometime. He built several temples in the conquered territories including the
Krishneswara temple at Rameswaram. Throughout his reign he possessed the
Tondaimandalam region including the capital Kanchi. After his death, the power
of the Rashtrakutas declined.
Ø Administration and Society under the Rashtrakutas:
Administration
The Rashtrakuta Empire was divided into
several provinces called rashtras under the control of rashtrapatis. They were
further divided into vishayas or districts governed by vishayapatis. The next
subdivision was bhukti consisting of 50 to 70 villages under the control of
bhogapatis. These officers were directly appointed by the central government.
The village administration was carried on by the village headmen. However, the village
assemblies played a significant role in the village administration.
Society and Economy
The Hindu sects of Vaishnavism and Saivism
flourished during the period of Rashtrakutas. Yet, they did not affect the
progress of Jainism under the patronage of Rashtrakuta kings and officers.
Almost one third of the population of the Deccan were Jains. There were some
prosperous Buddhist settlements at places like Kanheri, Sholapur and Dharwar.
There was harmony among various religions. There was a college at Salatogi,
situated in modern Bijapur district. An inscription gives details of this
educational centre. It was run by the income from the endowments made by the
rich as well as by all the villagers on occasions of functions and festivals.
The economy was also in a flourishing
condition. There was an active commerce between the Deccan and the Arabs. The
Rashtrakuta kings promoted the Arab trade by maintaining friendship with them.
Cultural Contributions
The Rashtrakutas widely patronized the
Sanskrit literature. There were many scholars in the Rashtrakuta court.
Trivikrama wrote Nalachampu and the Kavirahasya was composed by Halayudha
during the reign of Krishna III. The Jain literature flourished under the
patronage of the Rashtrakutas. Amogavarsha I, who was a Jain patronized many
Jain scholars. His teacher Jinasena composed Parsvabhudaya, a biography of
Parsva in verses. Another scholar Gunabhadra wrote the Adipurana, the life
stories of various Jain saints. Sakatayana wrote the grammer work called
Amogavritti. The great mathematician of this period, Viracharya was the author
of Ganitasaram.
The Kannada literature saw its beginning
during the period of the Rashtrakutas. Amogavarsha’s Kavirajamarga was the
first poetic work in Kannada language. Pampa was the greatest of the Kannada
poets. His famous work was Vikramasenavijaya. Ponna was another famous Kannada
poet and he wrote Santipurana.
Ø Arts and Architecture under the Rashtrakutas:
Art and Architecture
The art and architecture of the
Rashtrakutas were found at Ellora and Elephanta. At Ellora, the most remarkable
temple is the Kailasa temple. It was excavated during the reign of Krishna I.
It is carved out of a massive block of rock 200 feet long, and 100 feet in
breadth and height. The temple consists of four parts - the main shrine, the
entrance gateway, an intermediate shrine for Nandi and mandapa surrounding the
courtyard. The temple stands on a lofty plinth 25 feet high. The central face
of the plinth has imposing figures of elephants and lions giving the impression
that the entire structure rests on their back. It has a three-tiered sikhara or
tower resembling the sikhara of the Mamallapuram rathas. In the interior of the
temple there is a pillared hall which has sixteen square pillars. The Kailasa
temple is an architectural marvel with it beautiful sculptures. The sculpture
of the Goddess Durga is shown as slaying the Buffalo demon. In another sculpture
Ravana was making attempts to lift Mount Kailasa, the abode of Siva. The scenes
of Ramayana were also depicted on the walls. The general characteristics of the
Kailasa temple are more Dravidian.
Elephanta is an island near
Bombay. It was originally called Sripuri. The Portuguese after seeing the large
figure of an elephant named it Elephanta. The sculptural art of the
Rashtrakutas reached its zenith in this place. There is a close similarity
between the sculptures at Ellora and those in Elephanta. They might have been
carved by the same craftsmen. At the entrance to the sanctum there are huge
figures of dwara-palakas. In the walls of the prakara around the sanctum there
are niches containing the images of Shiva in various forms - Nataraja,
Gangadhara, Ardhanareesvara and Somaskanda. The most imposing figure of this
temple is Trimurthi. The sculpture is six metre high. It is said to represent
the three aspects of Shiva as Creator, Preserver and Destroyer.
Summary-Learning
Outcome
After
learning this lesson the students will be to explain
·
The political history of the
Chalukyas of Badami.
·
Art and architecture of the
Chalukyas.
·
Achievements of the Rashtrakuta
rulers.
·
Cultural contributions of the
Rashtrakutas.
·
Literary developments during the
Rashtrakuta rule.
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